"Mr. ROBOT" (Season 4) - VFX SUPERVISOR / (Additionally worked as “Image Stabilization Artist” on season 3)   Oversaw entire VFX workflow and on-set supervision for all production (and post) on season 4. Additionally worked as the lead image stabilization artist on season 3.

"Mr. ROBOT" (Season 4) - VFX SUPERVISOR / (Additionally worked as “Image Stabilization Artist” on season 3)

Oversaw entire VFX workflow and on-set supervision for all production (and post) on season 4. Additionally worked as the lead image stabilization artist on season 3.

"HOMECOMING" (Season 1) - VFX SUPERVISOR   Department Head of VFX for the first season of this Amazon show starring Julia Roberts from director Sam Esmail. Duties involved working as the on-set VFX Supervisor, leading the entire department and management of the in-house VFX team and oversight of outside VFX vendors.

"HOMECOMING" (Season 1) - VFX SUPERVISOR

Department Head of VFX for the first season of this Amazon show starring Julia Roberts from director Sam Esmail. Duties involved working as the on-set VFX Supervisor, leading the entire department and management of the in-house VFX team and oversight of outside VFX vendors.

"MINDHUNTER" - IN-HOUSE VFX COMPOSITOR   Primary "split-screen" compositor on all ten season-one episodes (ranging between 40 to 100+ split-screen composites per episode). Working alongside the lead in-house compositor (Christopher Doulgeris), I was tasked with general "invisible" composites, paint-work, some chroma-key composites, and work as the lead stabilization artist specifically on David Fincher directed episodes (1, 2, 9 & 10).

"MINDHUNTER" - IN-HOUSE VFX COMPOSITOR

Primary "split-screen" compositor on all ten season-one episodes (ranging between 40 to 100+ split-screen composites per episode). Working alongside the lead in-house compositor (Christopher Doulgeris), I was tasked with general "invisible" composites, paint-work, some chroma-key composites, and work as the lead stabilization artist specifically on David Fincher directed episodes (1, 2, 9 & 10).

"GONE GIRL" (2013) - IN-HOUSE VFX COMPOSITOR   Primary involvement as an "In-House" VFX Compositor, with duties extending from image stabilization, to hundreds of "split-screen" composites of all difficulties, and beyond. Our "In-House" team, comprised of senior compositor, Christopher Doulgeris, and myself - a junior compositor at the time - handled the vast majority of the film's visual effects, primarily dealing with "invisible effects".

"GONE GIRL" (2013) - IN-HOUSE VFX COMPOSITOR

Primary involvement as an "In-House" VFX Compositor, with duties extending from image stabilization, to hundreds of "split-screen" composites of all difficulties, and beyond. Our "In-House" team, comprised of senior compositor, Christopher Doulgeris, and myself - a junior compositor at the time - handled the vast majority of the film's visual effects, primarily dealing with "invisible effects".

"HOUSE of CARDS" - IN-HOUSE VFX COMPOSITOR   Working as the lead stabilization artist for three seasons (s2 - s4), my role additionally included the tasks of a junior-level compositor (simple paint-outs, boom mic removals, simple "split-screen" composites). Primary role became maintaining the physical "look" of the show, through the use of stabilization, despite a constant change of directors and cinematographers, who each brought with them a (sometimes drastically) different approach.

"HOUSE of CARDS" - IN-HOUSE VFX COMPOSITOR

Working as the lead stabilization artist for three seasons (s2 - s4), my role additionally included the tasks of a junior-level compositor (simple paint-outs, boom mic removals, simple "split-screen" composites). Primary role became maintaining the physical "look" of the show, through the use of stabilization, despite a constant change of directors and cinematographers, who each brought with them a (sometimes drastically) different approach.

"BIRDMAN" (2013) - IMAGE STABILIZATION ARTIST    Type of work accomplished : Image Stabilization. Working with Tyler Nelson and Anton Capaldo-Smith under the umbrella "Steadfast Films", our trio was tasked with image-stabilizing a significant amount of scenes from the film. Our goal was to maintain the original camera movement while "cleaning up" and removing unwanted jitter. We are proud to say this film ended up winning the Oscar for "Best Cinematography" from DP Emmanuel "Chivo" Lubezki.

"BIRDMAN" (2013) - IMAGE STABILIZATION ARTIST

Type of work accomplished: Image Stabilization. Working with Tyler Nelson and Anton Capaldo-Smith under the umbrella "Steadfast Films", our trio was tasked with image-stabilizing a significant amount of scenes from the film. Our goal was to maintain the original camera movement while "cleaning up" and removing unwanted jitter. We are proud to say this film ended up winning the Oscar for "Best Cinematography" from DP Emmanuel "Chivo" Lubezki.